Thursday, December 16, 2010

Experience Tres

Hey it's ABYSS again in... "Charitas Experience Diary"

Akhirnya abis berhari-hari membanting otak memasukkan rumus-rumus, kalimat-kalimat, SMP Charitas selesai juga Perang Semester alias Semester War-nya. 

Hari gini lagi class meeting dan hari ini juga hari terakhir class meeting, Jum'at libur and Sabtu ambil rapot! *shivers* Hari ini acara skolah yah selesain tugas yang diberi plus pembagian hadiah...bagi yng cewek-cewek walau nga ikutan lomba n banting tulang diklas kita dapet hadiah juga!!

Ntah namanya apa yg penting semacam pouch besar (ukuran laptop medium) motif garis-garis, cewek-cewek dah langsung rebutan milih warna, ada yang ngotot ungu dapetnya merah, ada yang ngotot ijo ujungnya milih (bukan dapet) merah, yakni gua sang ABYSS yg berkuasa! *psst! berkuasa atas blog ini*

Nyah..setelah Perang Semester saatnya Perang Rapot, bagi yang ulangan semesternya OK, mah mungkin no prob. tapi bagi yang know...I can only say, good luck and I can see your death bed...*freaky sound effect*

Nah, just kidding! LOL, ortu kan pada sayang anak, nga mungkin karna nilai jelek digantung ato apapun. So in the end, this is ABYSS signing off!

Friday, December 3, 2010

Experience Duo

This is ABYSS signing in.

Hello, apa yang baru hari ini? Yah, nga tau juga..
Tapi sekarang adalah masa-masa Perang Semester ato Semester War di Charitas. Pada banyak yang pusing, begadang, nga tidur (impossible) buat blajar. Smoga smuanya pada bisa dapat nilai bagus deeh...

Well, hari peperangan tinggal tepatnya 3 hari lagi dan semoga smuanya bisa menang (lulus) di perang ini ! Ganbatte !!

And this is ABYSS signing out.

Wednesday, November 24, 2010

Experience Uno

Today ! 25-one one- one 'o' (you know what I mean right?)
Today people! Is the long waited day by the teachers all wide world the TEACHERS DAY.
--> translation? Fine~ *rolls eye*

Hari guru tahun ini melaksanakan upacara yang berperubahan paling pertama dan perdana dalam petugas upacaranya. Guru menjadi petugasnya ! Entah apa situsi di lapangan saat upacara akhirnya mulai! Ada yang fokus menghargai mesti ada pemandangan jarang yang bisa dikatakan kaku didepan, ad juga yang batuk-batuk menahan tawa karena aksi guru yang 180 derajat berbeda dari upacara-upacara biasa, sungguh menakjubkan...
*rolls eye again*

Ah, well, yang lainnya, yang palinng tidak enak adalah nunggu giliran buat salaman ama guru!
Shei (i meant shi*) it was damn riggid hot ! Udah mataharinya disana nonggol terus tambah capung SWT yang mondar mandir tengah lapangan dekat barisan kita. Cuih semak betul...

Tapi gimanapun hari ini emang suatu hari yng patut dikenang~~
And it's ABYSS signing off. *wink*

Now what do we have here?

Heya! A new post from me on this wonderful (which I doubt) 25th of November 2010!
A new project was given to me and the rest of our respective class to post our experiences in Charitas, our school, and well, so here I announce the start of temporary "Charitas Experience Diary". *stands up and bows*

Saturday, August 14, 2010


Not that I have may things to say, but heck I'm listless of what I'm gonna do. Onemanga shutdown, mangafox has loads of comics lisenced (including : Bleach, Naruto, One Piece, Skip Beat, La Corda D'Oro) a drop dead bummer...

But I found 2 new cool mangas, Darker than Black - Shikkoku no Hana and 07-Ghost. Both are freakin cool !

Darker than Black is about murders and mysterious cases that Japan (I think I only read the first few pages of the no much information now..

07-Ghost is about 2 kingdoms called Barsburg and Raggs, both kingdoms are given divine protection which are The Eye of Raphael and The Eye of Michael...ok I'm much of a big laze so I'll leave all the explaining and character info to my trustiest Wikipedia !

I'm a sucker, I know...

Tuesday, September 29, 2009

Manga's Historia

Bet 'cha readers all know about the word comic or manga and definitely have read it before, but do you know their origins ?
Well, I'm feeling absurdly nice today, so I'm gonna post all about it. Enjoy !

Manga (kanji: 漫画; hiragana: まんが; katakana: マンガ)consist of comics and print cartoons (sometimes also called komikku コミック), in the Japanese language and conforming to the style developed in Japan in the late 20th century. In their modern form, manga date from shortly after World War II, but they have a long, complex pre-history in earlier Japanese art.

In Japan, people of all ages read manga. The genre includes a broad range of subjects: action-adventure, romance, sports and games, historical drama, comedy, science fiction and fantasy, mystery, horror, sexuality, and business and commerce, among others. Since the 1950s, manga have steadily become a major part of the Japanese publishing industry, representing a 406 billion yen market in Japan in 2007 (approximately $3.6 billion). Manga have also become increasingly popular worldwide.In Japan, manga are usually serialized in telephone book-size manga magazines, often containing many stories, each presented in a single episode to be continued in the next issue. If the series is successful, collected chapters may be republished in paperback books called tankōbon. A manga artist (mangaka in Japanese) typically works with a few assistants in a small studio and is associated with a creative editor from a commercial publishing company. If a manga series is popular enough, it may be animated after or even during its run, although sometimes manga are drawn centering on previously existing live-action or animated films.


The Japanese word manga, literally translated, means "whimsical pictures". The word first came into common usage in the late 18th century with the publication of such works as Santō Kyōden's picturebook Shiji no yukikai (1798), and in the early 19th century with such works as Aikawa Minwa's Manga hyakujo (1814) and the celebrated Hokusai Manga containing assorted drawings from the sketchbook of the famous ukiyo-e artist Hokusai. Rakuten Kitazawa (1876–1955) first used the word "manga" in the modern sense.


Historians and writers on manga history have described two broad and complementary processes shaping modern manga. Their views differ in the relative importance they attribute to the role of cultural and historical events following World War II versus the role of pre-War, Meiji, and pre-Meiji Japanese culture and art.

One view emphasizes events occurring during and after the U.S. Occupation of Japan (1945–1952), and stresses that manga strongly reflect U.S. cultural influences, including U.S. comics (brought to Japan by the GIs) and images and themes from U.S. television, film, and cartoons (especially Disney). Alternately, other writers such as Frederik L. Schodt, Kinko Ito, and Adam L. Kern stress continuity of Japanese cultural and aesthetic traditions as central to the history of manga.

Modern manga originated in the Occupation (1945–1952) and post-Occupation years (1952–early 1960s), while a previously militaristic and ultra-nationalist Japan rebuilt its political and economic infrastructure. An explosion of artistic creativity occurred in this period,[18] involving manga artists such as Osamu Tezuka (Astro Boy) and Machiko Hasegawa (Sazae-san).

A kami-shibai story teller from Sazae-san by Machiko Hasegawa. Sazae appears with her hair in a bun.

Astro Boy quickly became (and remains) immensely popular in Japan and elsewhere,[19] and the anime adaptation of Sazae-san continues to run as of 2009, regularly drawing more viewers than any other anime on Japanese television. Tezuka and Hasegawa were both stylistic innovators. In Tezuka's "cinematographic" technique, the panels are like a motion picture that reveals details of action bordering on slow motion as well as rapid zooms from distance to close-up shots. This kind of visual dynamism was widely adopted by later manga artists.[20] Hasegawa's focus on daily life and on women's experience also came to characterize later shōjo manga.[21] Between 1950 and 1969, an increasingly large readership for manga emerged in Japan with the solidification of its two main marketing genres, shōnen manga aimed at boys and shōjo manga aimed at girls.

In 1969 a group of female manga artists later called the Year 24 Group (also known as Magnificent 24s) made their shōjo manga debut ("year 24" comes from the Japanese name for 1949, the birth-year of many of these artists). The group included Hagio Moto, Riyoko Ikeda, Yumiko Oshima, Keiko Takemiya, and Ryoko Yamagishi, and they marked the first major entry of women artists into manga. Thereafter, shōjo manga would be drawn primarily by women artists for a readership of girls and young women. In the following decades (1975-present), shōjo manga continued to develop stylistically while simultaneously evolving different but overlapping subgenres. Major subgenres include romance, superheroines, and "Ladies Comics" (in Japanese, redisu レディース, redikomi レディコミ, and josei 女性).

Modern shōjo manga romance features love as a major theme set into emotionally intense narratives of self-realization. With the superheroines, shōjo manga saw releases such as Naoko Takeuchi's Pretty Soldier Sailor Moon, which became internationally popular in both manga and anime formats.Groups (or sentais) of girls working together have also been popular within this genre.

Manga for male readers sub-divides according to the age of its intended readership: boys up to 18 years old (shōnen manga) and young men 18- to 30-years old (seinen manga); as well as by content, including action-adventure often involving male heroes, slapstick humor, themes of honor, and sometimes explicit sexuality. The Japanese use different kanji for two closely allied meanings of "seinen"—青年 for "youth, young man" and 成年 for "adult, majority"—the second referring to sexually overt manga aimed at grown men and also called seijin ("adult" 成人) manga. Shōnen, seinen, and seijin manga share many features in common.

Boys and young men became some of the earliest readers of manga after World War II. From the 1950s on, shōnen manga focused on topics thought to interest the archetypal boy, including subjects like robots, space-travel, and heroic action-adventure. Popular themes include science fiction, technology, sports, and supernatural settings. Manga with solitary costumed superheroes like Superman, Batman, and Spider-Man generally did not become as popular.

The role of girls and women in manga produced for male readers has evolved considerably over time to include those featuring single pretty girls (bishōjo) such as Belldandy from Oh My Goddess!, stories where such girls and women surround the hero, as in Negima and Hanaukyo Maid Team, or groups of heavily armed female warriors (sentō bishōjo)

With the relaxation of censorship in Japan after the early 1990s, a wide variety of explicitly-drawn sexual themes appeared in manga intended for male readers, and correspondingly occur in English translations.

The gekiga style of drawing—emotionally dark, often starkly realistic, sometimes very violent—focuses on the day-in, day-out grim realities of life, often drawn in gritty and unpretty fashions. Gekiga such as Sampei Shirato's 1959–1962 Chronicles of a Ninja's Military Accomplishments (Ninja Bugeichō) arose in the late 1950s and 1960s partly from left-wing student and working-class political activisme. and partly from the aesthetic dissatisfaction of young manga artists like Yoshihiro Tatsumi with existing manga.

As readers, we continue to some example of manga-sensei like

Kentaro Yabuki-san who created Black Cat. Hoshino Katsura-sama created the holy D.Gray-man (I'm a pure-blooded fan !). Kubo Tite, the man who en carved Bleach to the world !(damn, it's way TOO dramatic...). Hino Matsuri the sensei that most girl would know who made Vampire Knight. Yuki Kure-sama the mother of La Corda d'Oro [do you know that the main character is not loveconsius ?] and many more manga master....

Tuesday, August 18, 2009

Kaichou wa maid sama

Now....a more interesting anime for the girls...
Kaichou Wa Maid Sama ! By : Hiro Fujiwara

Ayuzawa Misaki, Seika High's student council president who is well known for her extremely demanding and aggressive attitude towards boys, relentlessly attempting to reform them to live up to what she considers are acceptable standards of behavior. Many of the boys hate her, but some who have got to know her come to see that she is fair and willing to help anyone who needs it. She eventually becomes widely respected for her exceptional academic ability, her great athletic skill, and her many accomplishments as President. Her negative attitude towards males is mostly attributed to her father amassing with a huge debt and then disappearing; Misaki became determined to make sure her space and helpless mother, Minako for supporting her younger sister Suzuna and herself. To this extent, she secretly and, at first reluctantly, works as a maid-waitress at Café Maid Latte. Misaki is always driven to do her best regardless of the endeavour, and has a strong sense of justice, though she also has a tendency to forget her own well being in the process of helping others. She gradually develops feelings for Usui Takumi, but refuses to acknowledge them until volume 7 of the manga, when she tells Usui how confused she is about her feelings when he is around her. After Misaki is re-elected as President, she finds Usui on school's roof, and he stands behind her with his arms around her waist; though he tells her she can run away if she dislikes it, she doesn't, saying "it's not like I hate this," to which Usui responds "I don't intend to let you run away, Ayuzawa."

On the other part Usui Takumi is (of course a boy) one of the most popular boy in school and appears to take little interest in anything and prefers to observe things as they unfold, though proves to be possess extraordinary talented in a number of different fields -- including cooking, playing the violin, playing chess, and understanding of table etiquette-- which indicates that he is likely from a wealthy family. Furthermore, a shot of his room shows a large panoramic room with a wide view of the city and a game console on the floor. He regularly tells Misaki he likes her, but she dismisses his behavior simply as harassment; because of this, along with his uncanny ability to appear whenever she needs him, his wide-ranging skills, and the fact that he survived jumping off the school's roof, Misaki often refers to him as a "perverted space alien" (or some variation thereof). Regardless, he continually helps and watches over her, offering insightful advice on how to deal with the boys at Seika effectively and even becomes possessive of her. About Usui's family condition is still unknown though we can guess that they're definitely loaded.

Next is about Shintani Hinata a childhood friend of Misaki who came to Seika High in search of his one-sided first love; Misaki. When they were children, he was an overweight boy who Misaki saved when he fell from a tree. He fell in love with her, but soon moved away to live with his grandfather in the countryside when his parents died. When he returns, his appearance changed considerably from losing so much weight (supposedly from eating nothing but vegetables), though he remains a glutton. He admires Usui's strength and talent, though Usui seems indifferent to Shintani outside of his monopolizing Misaki's time. He refuses to give up on Misaki despite being fully aware of her and Usui's feelings for each other, having resolved prior to moving that he would not let Misaki having a boyfriend deter him. Misaki's mother and sister both note that he physically resembles Misaki's father, though he claims that he would never abandon the people he cares about.

Tsugi (next) Yukimura Shouichiro , the vice-president of Seika Highhe tries to help Misaki where he can, and enjoys office routine. At first, he, like the rest of the student council, is fearful of Misaki, but he eventually comes to be on fairly close terms with both her and Usui. Yukimura is hard-working, earnest, and capable of doing most administrative work, but is not athletic in the least, especially in comparison to Misaki and Usui. His gentle, almost feminine demeanour and slight stature make him appear somewhat weak, a fact he is sensitive about, even lamenting his lack of strength for his inability to be more helpful to Misaki. He's both terrified and in awe of Usui, after Usui kisses him as a "reward for his hard work" (which, unbeknown to all, Usui only did to make light of kissing Misaki, after noticing that she was visibly upset and incredibly jumpy around him). Yukimura has a seven-year-old sister named Rui.

There's also a small group called "trio idiot" which is Shirakoya Naoya also called Shiroyan, Sarashina Ikuto known as Ikkun, and last Kurosaki Ryuunosuke also called Kurotatsu. As for you to know they ARE an IDIOT.

The other characters will be informed in the next post...
Or you can surf of to and search for it !